Rembrandt’s Clever Devices in Illustrating a Biblical Story :: Essays Papers

Rembrandt’s Clever Devices in Illustrating a Biblical Story The story of Joseph and Potiphar's wife is told in the first book of the Bible, Genesis, Chapter 39. Joseph was sold into slavery by his brothers and bought by Potiphar, a high-ranking official in the Pharaoh's service. The Lord was with Joseph and gave him success in everything he did. This pleased Potiphar and before long Joseph was given the highest position in the household, and left in charge when Potiphar was away. Now Potiphar's wife found Joseph to be very good looking and had approached him several times saying "come to bed with me." Joseph being a man of God would not sin against his master or the Lord, so he refused her. One day when all the servants were gone, Joseph entered the house and Potiphar's wife approached him and while holding on to his cloak and asked again for him to come to bed with her. Joseph refused and left the house leaving his cloak behind. Potiphar' Wife screamed for help saying that Joseph had attacked and tried to sleep with her. When her hu sband came home she told him the same false story. Potiphar was so angry with Joseph he had him locked up in Pharaoh's prison. "But while Joseph was in the prison, the Lord was with him." This is the subject matter for which Rembrandt choose to do his representational painting by. The content of the painting all reveals Rembrandt's interpretation of the story. Rembrandt Van Ryn chose this particular story as the subject of his narrative painting completed in 1655, under the title of "Joseph Accused By Potiphar's Wife". After conducting research, my first perceptions about the value, or relative degree of lightness or darkness, in the painting did not change, but instead I learned that Rembrandt's use of light and dark was both purposeful and a technique well-known to the artists of his time. When I first observed this painting, I thought how dark everything seemed. The only exceptions to the darkness are the bed and Potiphar's wife, both of which are flooded in light almost as if a spotlight were thrown on her and the bed. Some light shines on Joseph's face and from behind him like a halo around his body, but this light is very dim. Rembrandt’s Clever Devices in Illustrating a Biblical Story :: Essays Papers Rembrandt’s Clever Devices in Illustrating a Biblical Story The story of Joseph and Potiphar's wife is told in the first book of the Bible, Genesis, Chapter 39. Joseph was sold into slavery by his brothers and bought by Potiphar, a high-ranking official in the Pharaoh's service. The Lord was with Joseph and gave him success in everything he did. This pleased Potiphar and before long Joseph was given the highest position in the household, and left in charge when Potiphar was away. Now Potiphar's wife found Joseph to be very good looking and had approached him several times saying "come to bed with me." Joseph being a man of God would not sin against his master or the Lord, so he refused her. One day when all the servants were gone, Joseph entered the house and Potiphar's wife approached him and while holding on to his cloak and asked again for him to come to bed with her. Joseph refused and left the house leaving his cloak behind. Potiphar' Wife screamed for help saying that Joseph had attacked and tried to sleep with her. When her hu sband came home she told him the same false story. Potiphar was so angry with Joseph he had him locked up in Pharaoh's prison. "But while Joseph was in the prison, the Lord was with him." This is the subject matter for which Rembrandt choose to do his representational painting by. The content of the painting all reveals Rembrandt's interpretation of the story. Rembrandt Van Ryn chose this particular story as the subject of his narrative painting completed in 1655, under the title of "Joseph Accused By Potiphar's Wife". After conducting research, my first perceptions about the value, or relative degree of lightness or darkness, in the painting did not change, but instead I learned that Rembrandt's use of light and dark was both purposeful and a technique well-known to the artists of his time. When I first observed this painting, I thought how dark everything seemed. The only exceptions to the darkness are the bed and Potiphar's wife, both of which are flooded in light almost as if a spotlight were thrown on her and the bed. Some light shines on Joseph's face and from behind him like a halo around his body, but this light is very dim.